Archive for Writing Life

The Desks of Authors

I am fascinated by the physical space of where writers work. I recently came across an online display of the desks of famous writers.  How amazing that someone thought to preserve them!

And just for kicks, here is a picture of me at MY desk:

Bane….Is….Back!

I’m hugely excited to announce that my next novel, Against the Tide, will feature my all-time favorite character.  Bane Alexander first appeared in the Lady of Bolton Hill as a whiplash smart and lethally dangerous 17-year old troublemaker.   He is now all grown up, has straightened himself out, and is ready to set the world on fire.

If you haven’t read The Lady of Bolton Hill, no worries.  Against the Tide is an entirely stand-alone novel set in Boston of 1891.  The heroine is Lydia Pallas, a translator for the U.S. Navy whose skills Bane desperately needs to unravel a smuggling ring.

It took me a while to dream up a heroine who was a match for Bane.  Bane is such an overwhelming force who was a scene-stealer in The Lady of Bolton Hill, so I needed a woman who could match him in terms of wit, intelligence, and bravado.  She also needed to have a deep gash of vulnerability that would slice through Bane’s tough, cynical hide and make him go weak in the knees.  I think that Against the Tide is the most romantic of any book I’ve written.  Look for it to hit the shelves in October of 2012.  Keep your eyes peeled!

 

What’s Wrong with a Happy Ending?

I recently read a book about the art of writing movies (Story: Substance, Structure, Style, and the Principles of Screenwriting).

What I found interesting was how the same rift that plagues the book publishing world is also a hotly contested issue among screenwriters.  There is a trend among late 20th century screenwriters toward highbrow, morally neutral films that lack a clear protagonist who wrestles with good and evil before triumphing in the end.    Scholarly critics love this sort of film, and tend to give Academy Awards to dreary and depressing films.  Meanwhile the public flocks to Star Wars, Dances with Wolves, Lord of the Rings, and The Shawshank Redeption.

In the book world, most genre fiction is heavily based on values.  Beneath the trappings of space aliens, murder mysteries or steamy love scenes, most genre novels reflect core values of justice, love, truth, fair play, accomplishment and perseverance.  By the end of the novel a fantastically drawn protagonist will figure out what is worth fighting and dying for.  And the American public loves it.  If they didn’t, you never would have heard of Nora Roberts, Ken Follett, John Grisham, Harlan Coben, or Francine Rivers.  The triumph of genre fiction in the market place makes literary writers cringe.  They castigate popular fiction as predictable, simplistic, something to make the reader feel good by confirming their preconceived values.

Lucky for me, I don’t write for critics, I write for the lady in New Zealand who emailed me and thanked me for making her elderly mother happy because she fell in love with Bane from The Lady of Bolton Hill. Or the high school student who wrote to tell me that reading about Clara made her feel a little less like a dork.   I write because of all the wonderful genre writers who have embodied the values of hard work, perseverance, and fighting for a cause who helped me through those stress-filled adolescent years. 

I don’t know if this split will ever go away.  I’m merely glad that there are plenty of readers and writers who still flock toward a wonderful, life-affirming ending.

Where Do Writers Get their Ideas?

One of the most common questions any novelist gets is “where do you get your ideas?”   I can’t speak for other people, but my hunch is that most writers have a mind that is always asking, ‘what if?’  As I go through the day, something will trigger that what if question, then my imagination takes over.  Sometimes it can be a turn of phrase, a news story, an interesting picture, or even a piece of music.

Here is an example.  I was reading a copy of the The New York Times from 1884 to get a sense of what people were talking about in the mid 1880’s, and I ran across a tiny news article at the bottom of the page about a group of Civil War soldiers who had all been hospitalized following the battle of Gettysburg.  They bonded in the hospital, and vowed to meet exactly twenty-one years later at Niagara Falls.  Amazingly, eight of the surviving ten members showed up on the appointed day.  Now that is the basis for a good story!

There are lots of ways this story could be tweaked to turn it into an interesting novel or a short story.  Perhaps instead of soldiers, it could be nurses.  Or perhaps it is set during the American Revolution or World War I.  Maybe they weren’t soldiers at all, but college students, or refugees from Nazi Germany.

I was moved by the story, but I know it is not something I am ever likely to use, so I’m throwing it out there to the world.  Maybe someone will try to do some research on these amazing men and follow it up.  Here is the story as it appeared on the front page of The New York Times on July 5, 1884.

Balloon photo coutesy of Diego da Silva

The Joy of a Good Memoir

I love a good memoir.  I find them so much more interesting than biographies, which are often written by an academic in a dry, dusty tone.  Biographies are usually more concerned with getting all the details right, whereas memoirs tend to give you insight into what it was like to be a different person.  People are notorious for shading their own life story, but memoirs provide fascinating insight into what makes people tick.

An example:  I read an old memoir written by Princess Ileana of Romania (pictured at the left).  She lived a life of immense privilege during the twilight years of European royalty, but also one of great turmoil.  As a young girl she lived through World War I, then as a married woman she endured World War II.  Romania had an uneasy alliance with Hitler, a man known to despise royalty, so she was in a precarious position for more than a decade.  During the war Princess Ileana turned her castle into a hospital and did her best to treat wounded soldiers, but it was a dangerous time to be a princess.  Romania fell to the communists shortly after the war, and although she tried to reach some sort of compromise with the country’s new leaders, she ultimately fled Romania with her children and built a new life for herself in Newton, Massachusetts.  Her marriage had been a political alliance and did not survive her emigration.  Princess Ileana ultimately decided to take holy vows, and lived the rest of her days as an abbess in a Pennsylvania convent.

Well!  Quite the story there!  She wrote her memoir, I Live Again, in 1952.  Frankly, the princess could have used a good editor.  The book is a long-winded slog and almost unreadable by contemporary standards, but the memoir is loaded with fascinating insight about what her life was like.  She writes about what it is like to live in a castle (drafty and uncomfortable) how to make friends with communists (watch out for the charming ones) and what to do when your brother is a king but also a national embarrassment (help his son stage a takeover.)

Naturally, Ileana lead an immensely controversial life.  Literary critics would classify her as an “unreliable narrator.”  Her husband flew for the Luftwaffe and she spent a number of years trying to forge shifting alliances with both the Nazis and the Communists.  She paints herself in a highly sympathetic light, and from this side of the Atlantic it is almost impossible to peer through past the walls of her castle to know what was really going on all those years. 

So why am I rambling on and on about a memoir?  As a writer, it is through devouring memoirs that I glean insight into what it is like to be somebody else.  Perhaps because I write about the late 19th century, I prefer memoirs written during that era.  I also enjoy contemporary memoirs, but they tend to dwell on psychological issues more than those of earlier days.  Here are a few other juicy old memoirs I have recently enjoyed:

My Four Years in Germany, by James Gerard (the U.S. ambassador to Germany during WWI)

Memoirs of a Publisher, by George Putnam (a real gadfly who knew absolutely everyone in the literary world of the late 19th century)

Why not Try God, by Mary Pickford (you know who she is!)