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Romances that are Doomed to Failure:

I hope people don’t expect Hollywood to educate them in the elements of a great romantic relationship.  Although sometimes they get it right (The Notebook, You’ve Got Mail, and Jerry Maguire come to mind of good relationships built on a solid foundation.)

More often than not, movies gloss over reality in an effort to come up with amusing tales of unlikely relationships that defy the odds and result in a fairy tale ending.  Here are some of the more egregious examples of famous romantic pairings that are doomed to failure:

 

Let Us Speak of James Bond


James Bond is not a romance hero.  He is disqualified on soooo many levels, but primarily because of his utter disinterest in monogamy.  I know, I know….he was married for about ten minutes to Diana Rigg in On Her Majesty’s Secret Service, and he was faithful during those ten minutes before she went to her ultimate doom…..but I am skeptical his self-restraint would have lasted much longer.

Nevertheless, the men who have been cast as James Bond are truly noteworthy.  I can’t tell you the number of times I’ve used one of them as a mental image for a hero when I’m writing a book.   I am partial to the current Bond, Daniel Craig…..who sometimes stepped up to the plate for me when I was writing Michael Dobrescu in The Rose of Winslow Street.  I have heard that blond men have a harder time breaking into movie star status because they don’t seem “manly” enough.  Not true with Daniel Craig!  That man looks like he could kill you just by thinking about it.  My runner-up Bond is Timothy Dalton, probably because of my residual affection for him playing Mr. Rochester in Jane Eyre.  He was my mental image for Daniel in The Lady of Bolton Hill.

As I said….. these guys look terrific, but that is where James Bond’s inspiration for my characters end!

 

A Guilty Pleasure: The Revenge Plot

One of the most popular new television series this year was ABC’s Revenge, an over-the-top romantic soap opera set in the glittering world of the Hamptons.  I confess to getting sucked in.  The plot features a young girl (Emily) whose adored father is framed for a horrible crime and sent to prison, where he is murdered.  Her subsequent years were spent in psychiatric wards as the villains try to neutralize her by convincing the world she is crazy.  The story picks up as Emily, now a powerful young woman, returns to the Hamptons under an assumed identity to wreak havoc on the people who destroyed her father.

Revenge plots are intriguing because they combine our desire to see an underdog get an upper-hand over someone who did him or her wrong.

Readers have a sense of fair play and they want to see the good guy win….but the protagonist in a revenge plot is walking a very fine line as they risk becoming a bad guy themselves.

I played with the revenge fantasy in The Lady of Bolton Hill.  Daniel’s quest for vengeance on a business rival was rife with unsavory aspects, and although I wanted the reader to sympathize with him, I definitely had him walking along that razor-thin edge where he risked falling over into the villain category himself.  This gave me the opportunity to explore some of the ethical issues between vengeance and justice.

For me, there are a handful of things a good revenge story must have if it is going to work as a thrilling novel in which you can still root for the protagonist:

  • The reason for revenge must be believable, profound, and have lasting consequences….otherwise the protagonist comes off as a petty, amoral jerk.
  • The ethical angle must be addressed.  I think this is where the ABC series Revenge stumbled a little.  Emily unleashes a real reign of terror and doesn’t balk very much when innocent people get entangled in her web.
  • The consequences of the revenge should be explored.  Watching the villain get his comeuppance isn’t very satisfying if we don’t see the ripple effect it has on the hero.

While I don’t want a steady diet of revenge stories, a good one every now and then is a delightful, guilty pleasure.